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One summer, I received the last letter she had left behind in 2004. Chuncheon, Soyang-ro, Jangmichon—a red-light district whose name means "Rose Village." It was where she wrote her final letter and where I spent my childhood. After receiving the letter, I returned, but both Jangmichon and my old house had vanished. Where did the women who lived here go? Why are they always the first to disappear? Who made them vanish? Searching for traces of the women who wavered and disappeared like a shimmering summer haze.

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Mother’s household ledgers contain a lifetime of arduous years. While her memory fades as she grows older, the details of her daily life, meticulously recorded in the household ledgers for 48 years since 1969, remain as traces of her existence. Director Seong Seungtaek discovered these ledgers among his elderly parents’ belongings when they moved in together after 30 years apart. Carefully examining those records, which are both precious documentation of his family history and his mother’s intimate diary, the director creates another important historical document. As Mother’s Household Ledger gradually intertwines the family story with modern Korean history and their shared memories, our hearts are profoundly stirred. The mother wrote down the passage of time, and the son now illuminates the world imbued with that time.

Shin Mi-sik, a Korean documentary photographer who loves Madagascar, built four libraries for children in Africa. In order to protect children’s innocence and artistry, this time he want to convey music. With 50 ukuleles supported by a Korean cultural foundation, he leaves for Madagascar with composer Taehwa Jang and 14 volunteers. Although they are poor, they live with a positive outlook on life. The children, who find everything amazing, are absorbed in ukulele lessons and choir practice despite the hot weather. The beautiful performances and singing of a 50-member ukulele troupe and a 100-member choir resonate movingly at Trinity School, the beach, and Baobab Street in Morondava, Madagascar. Through the process of preparing for a ukulele performance with Madagascar children, we encounter the simple truth that the most beautiful gift to us is ‘music.’

Following the death of her beloved friend Seo-yeon, Se-ryeong reflects on their time together and cherishes the memories they shared.

Sejin once had the power to have anything she wanted just by thinking about it. Now she has lost her magic. Hours before her interview to be a tourist interpreter, Sejin heads to the weary sea to save her father.